About Klik 27 - 29 November 2026 I Kleinmond, Western Cape
Three days, multiple venues, one small seaside town. KliK 2026 takes over Kleinmond from 27 to 29 November 2026. Expect poetry, music, theatre, storytelling and art — built for anyone who loves words, music and the people who make them.
KliK 2026 brings together acclaimed writers, poets, storytellers, musicians, publishers, and artists for a vibrant celebration of language, culture and creativity. Across multiple venues, enjoy author talks, storytelling sessions, a writing workshop, poetry and music performances, a Writers’ Café, Sip & Paint, and a guided Strandlooper Kruie Kuier experience.
Alongside the ticketed programme, a full weekend of free activity runs for the community. There’s the KliK Market, a children and youth programme at Mthimkhulu, the See en Fynbos Paradys walk along Kleinmond’s coastline, and an Open Mic.
Choose a 3-day or 2-day pass for the full run, a single day pass, or tickets to individual sessions. Multi-day passes work out far cheaper than buying sessions one at a time.
Whether you’re an avid reader, aspiring writer, creative thinker or simply looking for an inspiring weekend by the sea, KliK 2026 has something for you.
Address Details
102 Main Road, Kleinmond
Accommodation
Hangklip-Kleinmond Tourism Accommodation Venues
Hangklip-Kleinmond Tourism provides information about a wide range of accommodation options in the towns of Kleinmond, Betty’s Bay, Pringle Bay and Rooiels. These range from Self-Catering and Guesthouse venues, to Hotels and more.
To view the full list of venues, visit kleinmondtourism.co.za/accommodation/
To make a booking request, visit: kleinmondtourism.co.za/booking-request/
Ticket Prices
Quicket
Purchase tickets via credit card-
Opening Night - R100
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Individual Pass - R100
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2 Day Pass - R200
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3 Day Pass - R300
Artists and Writer's Profiles
After unsuccessfully reaching rock star fame as a guitarist, Andre M. Louw qualified as an attorney in 2000 and received a PhD in Law in 2010. He has taught at the University of KwaZulu-Natal and currently teaches at Stellenbosch University. Through his fascination with corruption and love of reading crime fiction comes his first novel Phantom Pass. Andre Louw currently lives in Villiersdorp, South Africa with his partner and their teenage son.
He is a writer and researcher based in Muizenberg, Cape Town. His memoir A Blow to the Head: A History of Violence (Modjaji Books, 2024) begins with a small, ordinary decision — to speak up against a racist slur at a gym coffee shop — and follows the chain of events it unleashes into unexpected territory. Du Toit spent nearly three decades as director of PLAAS, the Institute for Poverty, Land and Agrarian Studies at the University of the Western Cape and now teaches at UWC’s School of Government. His writing ranges across the political and the personal.
Anthony Silverston is partner and Creative Director at Triggerfish, where he oversees a slate of projects in development and production. He directed and cowrote Khumba, produced and wrote on Adventures in Zambezia and Seal Team and was Executive Producer on Kizazi Moto: Generation Fire (Disney+), Supa Team 4 (Netflix), and Kiya & the Kimoja Heroes (Disney, eOne, and Frogbox). His graphic novel, Pearl of the Sea, co-written with Raffaella Delle Donne and Willem Samuel was recently released to critical acclaim.
She is a talented South African jazz vocalist, composer, and music educator from Makhanda.
With a qualification in Jazz Performance and a background in Marketing Management from the University of KwaZulu Natal, she seamlessly blends artistic passion with business skills.
As a vocal coach, community mentor, and Project Manager at IMAD, she champions indigenous arts and youth empowerment. Founder of Amathunzi Arts & Development Centre, she uses arts for social change. Recognised with awards for an Influential Woman of 2024 and a Good Hope FM Warrior Woman 2025, Babalwa has performed with top jazz artists nationally and internationally.
Her soulful voice and expressive stage presence inspire audiences and elevate the jazz scene, making her a pivotal figure in South Africa’s cultural landscape.
Barbara Boswell is a Professor of English Literary Studies at the University of Cape Town and a novelist. She is the author of The Comrade’s Wife (2024), winner of the 2025 University of Johannesburg Main Creative Writing Prize, (jointly with Shubnum Khan) winner of the National Arts and Culture Award (NACA) for 2025, and winner of the 2025 SALA Award for best novel in English.
In 2024, she spent time as a Visiting Scholar at the University of Oxford’s Centre for Life Writing. She holds a PhD in Women’s Studies from the University of Maryland, and an MPhil degree in Gender and Women’s Studies from the University of the Western Cape. Her areas of teaching and research expertise include African women’s writing, Black Diasporic feminist writing, queer theory and literatures, and postcolonial studies.
She has over 43 years of experience conducting community art sessions with youth in art and female social inclusive programs as part of therapy and escapism.
She already has over 100 artworks in circulation, most of them are commissions. Many of her pieces were designed for individual South African clients living abroad, who love having memories of home away from home.
Bev also has an international footprint, with two wall murals in Namibia.
Bev’s style is primarily realistic but is elevated by impressionistic techniques and a bold, vibrant palette. Working mostly with acrylics, she sees African women’s attire as expressive, leading her to use mixed media to create texture.
Camissa Knights is a vibrant South African jazz quartet that blends the country’s rich musical heritage with international influences to create a unique sound that’s both rooted and adventurous.
The band’s members – pianist George Werner, electric bassist Peter Ndlala, drummer Carlo Fabe, and trumpeter Muneeb Hermans – have all been mentored by some of the greatest jazz musicians in the country and have honed their skills through years of performing and recording together.
Camissa Knights are a band with a deep understanding of the jazz tradition. But they’re not content to simply play within those boundaries – they’re constantly pushing the envelope, incorporating elements of Afrobeat, funk, and rock into their music to create a sound that’s both familiar and fresh.
Chris Ferndale has been writing and performing poetry for more than 30 years. He was a founder member of the Cape Cultural Collective in 2007.
His poems have been published in numerous anthologies including a prescribed anthology for high school learners, Carapace, two Cape Cultural Collective poetry anthologies – At Truth’s Edge (2011), Beyond Truth’s Edge (2022), as well as in Voices Unbound (2023): Eighth International Symposium on Poetic Inquiry published by the Human Sciences Research Council.
Chris has performed at the Cape Town Festival, the Autumn Festival in Paris (2013), Freedom Park in Pretoria, Artscape, the launch of Voices Unbound and at the Open Book Festival (2023).
Colleen Higgs is a publisher, a writer, and writing teacher. Two collections of her poems have been published – Half Born Woman (2004) and Lava Lamp Poems (2011).
Her short story collection, Looking for Trouble came out in 2012 and was recently re-published in the US by Catalyst Press. Her memoir, my mother, my madness was published in 2020 by deep south.
Modjaji Books, which she started in 2007 has become an award-winning, internationally recognised small, independent feminist press. She lives in Cape Town with her daughter, a cat and a dog.
Consuelo Roland left the information technology business to complete an MA Masters in Creative Writing at the University of Cape Town. Her debut novel, The Good Cemetery Guide, was short-listed for the Sunday Times Fiction Prize.
It was also selected via an e-mail poll of readers as one of 30 Centre for the Book’s “must read” South African Books for 2007. She lives with her husband and son and a menagerie of pets.
Eugenia Zantoto is a Cape Town-based writer and poet whose work deeply explores themes of identity, home, resilience, and human connection.
Born in the Democratic Republic of Congo and raised in South Africa, her experience growing up between two worlds profoundly shapes her global perspective and narrative voice. Eugenia’s passion for storytelling was ignited by her grandmother, a gifted storyteller who passed down African folktales, family histories, and vital life lessons.
In 2024, Eugenia joined the Cape Cultural Collective, finding a vibrant community of creatives that encouraged her to share her unique voice. A year later, in 2025, she took her work to the stage, performing her poetry at the prestigious Artscape Theatre—a milestone that reinforced her belief in the power of both the written and spoken word.
Frank Meintjies has lived in KwaZulu-Natal, the Western Cape and Gauteng. He has worked in the field of social development over many decades.
Frank’s creative writing appears in literary journals and anthologies such as Botsotso, Ons Klyntji, Absolute Africa, Staffrider, and Soho Square, and was selected for inclusion in four editions of the annual Sol Plaatje European Union Anthology.
His short stories have appeared in online journals such as Spillwords, The Kalahari Review, and Itch. Through interdisciplinary collaboration, William Kentridge’s Centre for the Less Good Idea has platformed his poetry, notably in A Poetry Minute and the M1 Highway billboard initiative. His recent collection, A Place To Night In, was shortlisted for the Poetry category of the 2025 South African Literary Awards and for the 2026 Ingrid Jonker Poetry Prize.
Born and raised in Kleinmond, Frazer Barry has spent over 25 years captivating audiences nationally and internationally with his authentically South African sound. His diverse career spans community organisations, local government, television, radio, and the creative arts.
He has a deep affinity for South African folk music, particularly lyrics that speak to the nation’s heart. His work explores themes from protest to the upbeat traditional sounds of the Boland, including Riel and Kaapse styles.
He regularly composes for short films, TV series, documentaries, and adverts. His collaborations are equally impressive, having set the work of prominent South African poets to music and partnered with Poet Laureates from Belgium and the Netherlands. This border-crossing work was honoured with the 2023 Toyota US Woordfees ‘In Verbondenheid’ Award.
He actively gives back through mentorship and championing arts, culture, and the Afrikaans language, for which he received the 2020 Cordis Trust ‘Orde van die Beiteltjie’ Award. He is a familiar face as the presenter of KykNet’s Fiësta (2015-2024) and Ommighellie (2022-2023), and RSG’s Rymklets Sonder Grense (2022-2024).
Indiphile Matini is a social justice activist with a background in social work. They strive to make meaningful contributions to the sector through their work and creativity.
Indiphile uses their experiences and observations of the world to paint pictures of our individual and collective realities.
The use of art and creativity in activism has always played an instrumental role in dismantling oppressive systems of power and Indiphile believes our words and creations have the power to shape a world where humanity and the environment coexist in harmony.
Jade Gibson is an interdisciplinary writer, visual artist, and academic researcher whose work explores visibility, embodiment, being-in-the-world, and the spaces in-between. She is the author of the prize-listed novel, Glowfly Dance (2015). Based on her own childhood, the novel explores child resilience, girlhood, the impact of domestic violence through relationships with nature, loss, and multicultural lived experience.
Her visual art spans installation, poetry, painting, drawing, performance, and short film – from carrying a skeleton made of twigs around Cape Town to inviting audiences to dress her according to her perceived ethnicity, to creating a maize installation from broken glass. She has exhibited and worked in Cape Town, London, Zimbabwe, and Vanuatu. Of mixed ethnicity (half-Filipino), Jade grew up in the UK, North Africa, and the Caribbean, with her closest family in Africa.
Her academic background is deeply interdisciplinary, encompassing a PhD and MA in visual anthropology, and degrees in fine art and medical science.)
Jeremy Vearey is a writer, former Major General in the SAPS, and anti-gang strategist from Elsies River, Cape Town.
In Jeremy vannie Elsies (2018) he tells the raw, personal story of growing up in Elsies River, from rough-and-tumble youth to Robben Island prisoner, MK operative, and head of SAP Western Cape’s anti-gang unit. It’s a memoir of community, struggle, and survival.
In Rooisand: Die verhaal van Dirk Aruseb en die Bondelswarts (2024) he co-authors the historical account of Dirk Aruseb and the Bondelswarts uprising, bringing overlooked resistance history to a new generation.
Vearey now works as Strategic Advisor at Gunfree SA.
Juli Jana has been active in the poetry scene both in Cape Town and London.
She is co-presenter on Off the Wall in Cape Town and co-presented More Poetry with Ken Champion in London for 10 years. She holds creative writing workshops in Cape Town and surrounds. Her chapbook, ra-t, was published by Shearsman Publishers in London. Scent of Places (2025) is her debut collection published by Turksvy Publishers Cape Town. She has been published in poetry magazines in South Africa and abroad.
Juli Jana received a Master’s Degree in Creative Research from the University of Roehampton. She is both a poet and an artist.
Khadija Tracy Heeger is a dynamic poet, performer, and storyteller from Cape Town, South Africa. Her work, deeply rooted in the city’s multicultural heritage, explores themes of identity, history, and social justice. Heeger’s poetry blends personal narrative with broader socio-political reflections, drawing on her Cape Malay roots and lived experiences in post-apartheid South Africa.
Known for her powerful stage presence and evocative performances, she has participated in various literary festivals and cultural events. Heeger’s work often addresses marginalised voices, celebrating resilience and community while challenging social inequities through lyrical expression.
Heeger has publications include, Beyond the Delivery Room (2013) and Thicker than Sorrow (2023).
The Kleinmond Marching Band was established in 2025 as part of the Kleinmond Arts & Culture Hub initiatives, with the vision of creating opportunities for musical development, creativity, and community participation.
The band brings together a dynamic mix of upcoming and professional musicians, teenagers, and adults, united by their passion for music, performance, and cultural expression.
Kleinmond Marching Band represents the heartbeat of the community — celebrating music, talent, and togetherness while inspiring the next generation.
The Mengelmoesdigters are a collective of passionate poets and writers dedicated to inspiring, connecting, and empowering people through poetry, storytelling, and creative writing.
Mentored by renowned South African poet Diana Ferrus since 2013, the group has grown into a vibrant literary collective that celebrates diverse voices, cultures, and lived experiences through both the written and spoken word. The Mengelmoesdigters have performed at prominent literary and cultural events, including the Stellenbosch Woordfees, Adam Small Festival, Tuin van Digters, and the McGregor Poetry Festival. Performing in both Afrikaans and English, the group connects with diverse audiences and creates meaningful spaces for dialogue, reflection, and creative expression.
The Mengelmoesdigters encourage people of all ages to explore their imagination, share their stories, and discover the power of their own voices. Through creative writing, poetry, storytelling, workshops, and performances, participants are inspired to build confidence, strengthen communication skills, and express themselves in authentic and meaningful ways. Committed to promoting literacy, creativity, cultural appreciation, and community engagement, the Mengelmoesdigters collaborate with schools, libraries, community organisations, festivals, and youth groups.
The group believes that every story matters and that poetry has the power to inspire hope, foster understanding, strengthen communities, and transform lives.
Merle Danhouse is a poet, social worker, researcher, and writer whose work is rooted in storytelling, healing, and the lived experiences of families and communities. She is a member of the Mengelmoesdigters, where she participates in poetry performances, literary events, and community creative writing initiatives. Her debut poetry collection, Die Broodjie, was published in 2019.
In addition to her poetry collection, her work has appeared on LitNet, and one of her Hartstories was published in Kuier magazine. Her writing explores themes of identity, resilience, memory, belonging, and family connectedness, drawing on both personal experience and her professional background as a social worker.
As a creative writing facilitator, Merle is passionate about encouraging people of all ages to discover their unique voices through poetry, storytelling, and narrative. She believes that every story has value and strives to create welcoming spaces where creativity can flourish, confidence can grow, and stories can be shared with authenticity and purpose.
Theresa Carstens is a poet from Wellington in the Boland whose writing is inspired by her life experiences and the transformative power of poetry. She is a founding member of the Mengelmoesdigters and has been mentored by renowned South African poet Diana Ferrus since the group’s inception. Theresa has performed at numerous literary and cultural festivals, including the Stellenbosch Woordfees, Adam Small Festival, Tuin van Digters, McGregor Poetry Festival, and events hosted by the Koena Art Institute. Her poetry has appeared in several collaborative anthologies, including 7de Reënboog, Die Mengelmoesdigters: ‘n Versameling Gedigte, Hier’s my Hart Pa, McGregor Anthology, Nuwe Era Groot Verseboek 2023, Ons Kom van Hier, In Woorde Gebaar, and Waar Grense Bloei.
In 2023, Theresa received the Patricia Schonstein Poetry in McGregor Award in recognition of her outstanding poetry. She launched her debut poetry collection, Ghost Town, in 2024.
Fiona Fertyn is originally from Paarl and has been actively involved with the Mengelmoesdigters for many years. She previously served as a Creative Support Teacher at Paarlzicht Primary School, where she assisted learners with creative writing and poetry.
She has performed at several literary festivals, including Tuin van Digters, Stellenbosch Woordfees, Poetry in McGregor, and the Adam Small Festival. She has also published her own poetry collection, Paarl Skatkis van Gedagtes.
Gaireyah Fredericks is an award-winning poet, author, translator, and language activist from Paarl. A passionate advocate for Kaaps and Afrikaans, her work celebrates identity, culture, community, and the richness of language. Her poetry has been featured at numerous literary festivals and cultural events across South Africa. She is the author of 13 self-published poetry collections, two of which were simultaneously nominated for the prestigious Eugene Marais Literary Prize. Her acclaimed debut collection, Een voet innie kabr, earned both the Eugene Marais Literary Prize from the South African Academy for Science and Arts and the UJ Debut Literary Prize from the University of Johannesburg. Her many accolades include the Patricia Schonstein Poetry in McGregor Award (2016), the Hugh Hodges ‘On the Spot’ Award, the Neville Alexander Prestige Award for promoting social cohesion and nation-building through Afrikaans, the Diana Ferrus Prize for Literature, and recognition from the Wellington Station Festival and the McGregor Poetry Festival for her dedication to Kaaps, poetry, and youth mentorship.
Sophia Olifant is a vital component of the collaborative spirit that defines the Mengelmoesdigters. Her performances and writings centre heavily on the overarching themes of the collective: a metaphorical journey through day-to-day human experiences, a confrontation with identity in a changing society, and the reclamation of historical memory. Olifant has been a core member of the ensemble’s flagship curated festival productions, including the highly popular interactive session “An Interplay of Thoughts & Emotions“. Alongside her peers, she has spent over a decade taking public stages across the Western Cape, from Wellington to McGregor, to keep the oral and written tradition of community poetry thriving.
Naren Sewpaul is a co-design facilitator, songwriter, and integrated arts practitioner who works with social artists from diverse art disciplines. Some of the artists with whom he has collaborated are Steve Fataar, Beathur Mgoza-Baker, Delia Meyer, and Abduragman Adams. He presented the Bush Radio Vinyl Music Sessions, served on the founding committee for the Arterial Network and represented South Africa on the discussion forum at Contacting the World Festival in Manchester (UK). He is currently adviser to the dance and photography company, Darkroom Contemporary.
Dr. Ncebakazi Mnukwana is a musician, soundscaper, and academic specialising in African music and Music Education at Stellenbosch University. A prominent performer on the Xhosa uhadi bow, she has collaborated with music legends like Latozi “Madosini” Mphahleni and produced Mantombi Matotiyana’s Songs of Greeting, Healing and Heritage.
Her international and local performance and composition work includes projects for the Bolwerk Festival (Switzerland), Woordfees, NIROX Sculpture Park, and the South African Strings Foundation.
In 2023, she founded the Cape Town-based ensemble iiNceba zoMdali, and she frequently co-composes across continents with Roche van Tiddens. Beyond her creative and academic roles, Dr. Mnukwana serves on several boards, including the Stellenbosch University Museum, Camissa Museum, Molo Songololo, and Cornerstone Institute.
Sean Nefdt is a South African artist whose work explores the relationship between emotion, memory, and the natural world. Drawing inspiration from everyday life, landscapes, and personal experiences, Sean creates artworks that invite viewers to pause, reflect, and connect with the stories and feelings embedded within each piece.
Working across a range of traditional media, Sean combines technical skill with a strong sense of creativity, producing work that balances realism with expressive interpretation. Each artwork is approached as an opportunity to capture not only the visual qualities of a subject but also its atmosphere, energy, and deeper meaning.
As a dedicated and continually evolving artist, Sean is committed to refining his practice while engaging with the broader arts community through exhibitions and creative collaborations. Participation in art festivals provides an opportunity to share this creative journey with diverse audiences, celebrate artistic expression, and contribute to South Africa’s vibrant cultural landscape.
Sean’s goal is to create work that resonates on a personal level, encouraging conversation, inspiring curiosity, and leaving a lasting impression on those who experience it.
Shakira Maharaj is a debut children’s book author from South Africa.
She lives in Cape Town with her young son, tired husband, and chubby dog. She has a master’s degree from the University of Cape Town, and when she’s not writing or mothering, she works for an NGO focused on early childhood development.
Shihaam Domingo is a creative producer and indigenous food storyteller whose work fuses ancestral knowledge, foraged ingredients, and culinary heritage in contemporary food experiences.
Her practice is rooted in honouring the land and sea, drawing on indigenous plants and seasonal abundance to craft menus that are as much about memory and identity as they are about taste. Shihaam has curated food stories that reconnect people with the histories of the Cape, including a menu in honour of Krotoa. This timeless menu reimagines what might have been eaten at the Cape in the 1600s using ingredients sourced from veld, coast, and small-scale custodians. Her work often bridges ritual and innovation, from reimagining childhood traditions such as Easter pickled fish to leading conversations at the Food Imbizo about the risks and potentials of indigenous food revival.
Through her cooking, storytelling, and advocacy, Shihaam invites communities to rediscover the dignity, creativity, and resilience within indigenous food systems; reviving lost flavours while nourishing a deeper sense of belonging to place and culture.
Tribal Echo is a vibrant South African band known for their unique musical identity, Eclectic Roots Rock — a distinctive sound that blends Afrikaans storytelling, rock, roots, and diverse musical influences into an unforgettable experience.
The band consists of Frazer Barry (lead vocals & guitar), Deniel Barry (drums & vocals), and Earl Witbooi (bass guitar & vocals). Together, they create a fresh and original sound, combining powerful lyrics, infectious melodies, rich harmonies, and energetic performances.
As accomplished musicians and creators, the members of Tribal Echo have also been involved in various award-winning musical theatre productions on national and international platforms, bringing a strong theatrical influence on their music and live performances. Describing their music as a celebration of life, Tribal Echo’s songs tell stories that connect deeply with audiences.
Their music explores everyday experiences, emotions, struggles, dreams, and moments of joy — creating a sound that invites audiences to laugh, dance, reflect, and be moved. Tribal Echo Trio takes audiences on a powerful musical journey — an experience that celebrates culture, storytelling, and the heartbeat of South African music in Afrikaans. Tribal Echo Trio’s Afrikaans Eclectic Roots Music is a sound unlike anything else — a musical experience not to be missed.
Vuyo Myoli is a South African multidisciplinary performer, vocalist, composer, theatre practitioner, and cultural worker from Gugulethu, Cape Town. Trained at the Professional Music, Performance and Technology College (PROMPT), his artistic practice spans music, theatre, storytelling, community engagement, and ecological awareness. Over a performance career spanning more than fifteen years, Myoli has worked across local and international stages as a vocalist, songwriter, arranger, and performer.
He has appeared in numerous festivals, corporate events, conferences, and theatrical productions, including the internationally recognized theatre production Diamond and Dust / Under African Skies. His touring history includes performances across Bahrain, Thailand, Zimbabwe, the Netherlands, Belgium, Denmark, France, Martinique, the United States, and Dubai.
Alongside his performance career, Myoli has remained deeply invested in community based artistic development. Through his initiative Indibano (“A gathering place”), he facilitated music workshops and mentorship programs for aspiring young musicians in Gugulethu, creating access to creative learning spaces within the township community. Following a difficult period of personal and professional transition, Myoli turned toward organic growing, urban farming, and beekeeping as a process of healing and reconnection. Working with soil, food systems, and pollination opened a new artistic and philosophical direction in his practice — one that merges ecology, ritual performance, music, and storytelling.
This journey became the foundation for Lonely Bee, an interdisciplinary theatre and music production exploring themes of isolation, resilience, healing, memory, collective survival, and humanity’s relationship with nature. Through this work, Myoli continues developing a unique performance language rooted in African storytelling traditions, live music, physical theatre, and environmental consciousness.